Should I shoot in slog?
Should I shoot in slog?
The many advantages of shooting in S-Log Shoot with a combination of S-Log and S-Gamut, and your material can retain a wider color gamut, dynamic range, and tonal range than with traditional techniques. This image information provides exceptional flexibility in color grading, as you give scenes the look you envisioned.
Should you overexpose slog3?
Gerald Undone recommends overexposing your slog3 footage by about 1.66 stops to minimize noise and maximize dynamic range. But he also mentions exposing correctly by exposing a middle gray card at 41% is adequate as well.
What picture profile is Cine4?
What is Cine4? The Sony Cine profiles are gamma presets (see the difference between a gamma curve and log curve here) that offer more dynamic range than the standard movie profile, but slightly less than S-Log2. Sony states, Cine4: Strengthens the contrast in dark parts more than [Cine3].
What is HLG profile?
HLG, or Hybrid-Log Gamma, is a form of HDR that is designed for broadcast applications where you might need to display either a conventional SDR image or an HDR image using the same data pipeline. This gives it that Instant HDR branding where you can simply record in HLG and playback anywhere at best quality.
Should you shoot in HLG?
Shooting in HLG is particularly useful for projects requiring a fast turnaround. For instance, if you were covering a live event and wanted to get the footage online straightaway, you could reduce or completely eliminate the time you’d usually need for editing.
What does S-log stand for?
S-Log is a gamma curve with a wide dynamic range optimized under the assumption that grading will be performed in the post-production process. S-Log3 allows for better reproduction of gradation characteristics in shadows and the mid-tone range than S-Log2. It has characteristics closer to those of scanned film.
Should I overexpose slog 3?
You should overexpose the camera by half a stop to 1 full stop.